Steal Cake — A Scene Built From One Frame

@Image2 is the first frame. It defines the opening composition, the camera position inside the car, the seat, the closed window, the light, and the exact position of <Cake> standing on its gold board on the seat. <Cake> — shape, layers, decoration and board the same as in the reference image. The video begins on this frame — no separate establishing shot.
@Image1 defines <Woman> — appearance, hair and clothing the same as in the reference image. Do not use its studio background, its lighting or its standing pose. Do not reproduce any of its text or framing. Only one <Woman> exists in the whole video. Do not change the first-frame composition defined by @Image2. <Cake> stays on the car seat until Stage 4, then belongs only to <Woman>. Only one <Woman>, one <Cake> and one <Stone> exist in the whole video.
[Generation Goal]
A 15-second theft scene. The central subject is <Woman>. The primary event: she spots <Cake> through the window of a parked car, breaks the glass with <Stone>, takes <Cake> and runs away eating it.
[Stage 1 | 0-3s]
Initial state: the interior exactly as @Image2, no people, glass intact, camera locked.
Primary event: <Woman> walks past outside the window from left to right, seen through the glass, slightly out of focus, and leaves the frame. <Cake> stays sharp in the foreground.
End state: <Cake> untouched on the seat, glass intact, no people in frame.
[Stage 2 | 3-6s]
Continue from the previous stage: same camera position, same interior, <Cake> unmoved.
Primary event: <Woman> returns into frame walking backwards — she moves right to left in reverse, her body still facing right, her head turned over her shoulder toward the window, her eyes on <Cake>. She stops level with the glass and leans slightly closer.
Rack focus: shift focus smoothly from <Cake> in the foreground to her face behind the glass — <Cake> softens, her face changes from soft to sharp.
End state: <Woman> stands outside the closed window, gaze fixed on <Cake>, glass intact.
[Stage 3 | 6-8s]
Continue from the previous stage: same interior, glass intact, <Cake> unmoved.
Primary event: <Woman> lowers straight down and out of the bottom edge of the frame. The frame holds on the empty window and <Cake> alone, with nothing moving in shot. Then she rises back up into frame in the same spot, shoulders raised, jaw set, <Stone> — a fist-sized grey rock — now held in her right hand and clearly visible against the glass. What she does below the frame is never shown.
End state: <Woman> back at the window in the same position, <Stone> visible in her hand, glass still intact.
[Stage 4 | 8-11s]
Continue from the previous stage: same interior, same light, camera now static.
Primary event: <Woman> swings <Stone> into the window — <Stone> stays visible in frame through the swing and at the point of contact. The tempered glass gives way in a single decisive strike and collapses inward into small blunt granules that scatter across the seat. She drops <Stone> out of frame, reaches both hands through the opening, slides her fingers under the gold board and lifts <Cake> out of the car level and upright, the decoration undisturbed.
End state: the seat is empty except for scattered glass granules, the window is an open hole, <Cake> is in <Woman>‘s two hands outside the car, still intact.
[Stage 5 | 11-13s]
Hard cut at 11 seconds to the exterior — a coastal road in the same warm afternoon light seen through the window in @Image2.
Primary event: the camera is in front of <Woman> at chest height, moving backwards as she runs toward it at a steady, controlled sprint. She holds <Cake> in her left hand at chest height, the gold board level. With her right hand she scoops a piece off the top of <Cake> and eats it while running. A few crumbs and one berry fall away and are gone.
End state: <Woman> running toward camera, <Cake> in her left hand with a scooped hollow in its top, her right hand and mouth smeared with cream.
[Stage 6 | 13-15s]
Continue from the previous stage: same road, same light, <Cake> still in her left hand with the same hollow in its top.
Primary event: the camera decelerates and stops. <Woman> runs past the lens and out of the frame, throwing one glance back over her shoulder with a brief closed-mouth grin as she passes, still chewing.
End state: the empty coastal road in the same light, no people in frame, the siren still audible.
[Camera]
Stages 1-4 are one continuous interior shot from the position of @Image2: the camera is locked through Stage 1, then pushes in slowly toward the window across Stages 2 and 3, and holds static from the start of Stage 4 onward. One hard cut at 11 seconds. Stages 5 and 6 are a single reverse tracking shot that decelerates to a stop.
[Audio]
Muffled outdoor ambience and sea wind through the closed glass, <soft footsteps on asphalt>, <scuffed reverse steps>. The ambience drops to near-silent room tone for the two seconds before the strike. Then <one hard stone-on-glass burst followed by granules raining onto leather>, <a sharp exhale>, <quick running footsteps on asphalt>, <a soft muffled chew>, (a low tense pulse under the second half). A distant two-tone police siren begins on the same frame as the glass burst, already clearly audible at that instant rather than fading in, and rises steadily until the end. No dialogue, no voiceover.
[Maintain Consistency]
One woman, one cake, one stone, no other people and no other vehicles in any stage. Keep her appearance and clothing from @Image1 unchanged in every stage, including after the glass breaks and while she eats. Keep the car interior, window position and camera axis from @Image2 through Stages 1-4. <Cake> keeps the shape, layers, decoration and gold board from @Image2 unchanged through Stage 4. She takes <Cake> with two hands in Stage 4 and carries it in her left hand alone from Stage 5 to the last frame, her right hand free. From the scoop in Stage 5 onward the hollow in its top and the missing berries persist to the last frame and never restore. Her direction of travel is left to right in Stage 1 and right to left in Stage 2 — do not flip these. The glass breaks only once and stays broken. Natural daylight photography, no color shift between stages. No on-screen text, no subtitles.