Gift Car Crash AI Video Prompt: Into a Snowy Fir

[LOOK — LOCKED, APPLIES TO THE WHOLE CLIP]
Photoreal handheld smartphone footage filmed by a friend, vertical 9:16, one continuous take. Bright sunny winter day in the mountains, deep blue sky, glittering fresh snow, crisp cold light, visible breath, true-to-life colours, natural phone sharpness, light handheld shake, fine grain. It must look like a real home video, not a film.
ONE SINGLE UNINTERRUPTED TAKE from the first frame to the last: no cuts, no jump cuts, no time skips, no change of shot. Every action happens in real time in front of the camera. The stages below are one continuous action, not separate shots.
[References]
The woman corresponds to @Image1. Use her face, green eyes, freckles, long red-copper ombre hair in a loose side braid, and her outfit: glossy bright lime-green cropped puffer jacket fitted at the waist, a black top underneath, slim high-waisted black trousers that hug her legs, black heeled ankle snow boots, small gold hoop earrings. No hat. Do not use the grey studio background or the two-panel layout.
The man corresponds to @Image2. Use his face, short dark-brown hair, stubble and his outfit: black matte down puffer jacket, grey ribbed knit beanie, dark grey slim trousers, black leather winter boots. Do not use the studio background or the two-panel layout.
The car corresponds to @Image3. Keep its exact design: glossy lime-green vintage Land Rover Defender 110, body and roof both lime green, black steel wheels, chunky tyres, roof rack, a big white satin gift bow on the bonnet. The steering wheel is on the side of the car NEAREST TO THE CAMERA, and the driver door is the door nearest to the camera. The far side of the car is the passenger side. Do not use the studio background or the three-view layout. No morphing.
Real-world scale: the Defender is a tall, boxy off-roader. Its roof is higher than the man’s head, and its bonnet reaches the woman’s waist. The man is taller than the woman.
There is one woman, one man, one car. The person filming is never fully seen.
[Scene]
A snowy clearing in front of a wooden mountain chalet, snow-capped peaks behind. The ground slopes gently downhill to the right. The lime Defender is parked side-on in the middle of the background, about six metres from the camera, its nose pointing to the right of the frame, down the slope. The driver side, with the driver door and the steering wheel, faces the camera. The car stays side-on to the camera, nose to the right, in the same place until stage 5.
Hidden just outside the right edge of the frame, down the slope, stands a huge old fir tree with branches heavy with thick snow. The fir tree is not visible at all in stages 1–4.
[Stage 1] 0–3 seconds
Initial state: the woman from @Image1 stands in the CENTRE of the frame, close to the camera, facing it, both hands covering her eyes, laughing nervously, breath steaming. The Defender is directly behind her in the background, partly hidden by her body. The man from @Image2 stands relaxed next to the driver door, on the side of the car facing the camera, holding up the car key in one hand, grinning.
Primary event: the man counts down.
End state: she drops her hands and opens her eyes.
[Stage 2] 3–6 seconds
Continue from the previous stage in the same shot, without any cut.
Primary event: she turns her head toward the car behind her, sees it and freezes for a beat, then squeals with joy, presses both hands to her mouth, turns and runs through the snow toward the car, boots kicking up powder. The camera follows her from behind at a jog, shaky.
End state: she reaches the car; the man opens his arms.
[Stage 3] 6–9 seconds
Continue from the previous stage in the same shot, without any cut. The camera stays about three metres back, framing both of them from the knees up with the car beside them; it never pushes in on the bow and never moves around to the far side of the car.
Primary event: she throws her arms around the man’s neck, then turns and hugs the bonnet, pressing her cheek against the white bow, squealing with joy. The man laughs and dangles the key in front of her.
End state: she takes the key from his hand and bounces on her toes.
[Stage 4] 9–12 seconds
Continue from the previous stage in the same shot, without any cut. The camera keeps rolling and slowly steps back until it is about four metres from the side of the car, then holds still, showing the whole driver side of the car, her and the man; the bow is small in frame. The fir tree is still out of frame.
Primary event: she walks two steps along the car to the driver door, the door nearest to the camera, right below the steering wheel. The man opens it for her. She climbs up into the seat nearest to the camera, directly behind the steering wheel, in full view; she never walks around the car and never goes to the far, passenger side. He closes the door and steps back two steps, hands in his pockets, proud. She grips the steering wheel, beaming through the open window.
End state: she is behind the wheel, the man stands beside the rear of the car.
[Stage 5] 12–14.5 seconds
Continue from the previous stage in the same shot, without any cut.
Primary event: the engine revs loudly. The Defender suddenly lurches forward to the right and slides down the snowy slope, faster and faster. The man runs after it with one arm stretched out, slipping in the snow. The camera whips to the right to follow the car, and only now the huge fir tree appears. The front bumper hits the trunk with a heavy thump. The whole tree shakes and all the snow on its branches avalanches down onto the car, burying the roof and bonnet in a white heap. The white bow flies off and gets caught on a low branch.
End state: the Defender sits against the fir trunk half buried in snow, a cloud of powder hanging in the air, the bow dangling from a branch.
[Stage 6] 14.5–16 seconds
Continue from the previous stage in the same shot, without any cut.
Primary event: the person filming panics: the phone swings wildly, tilts, then slips out of their hand and falls.
End state: the phone lies in the snow, camera looking up at a low tilted angle toward the car and the tree.
[Stage 7] 16–20 seconds
Continue from the previous stage in the same shot, without any cut. The camera lies still in the snow until the end, tilted, snow crystals in the foreground, the car and the people large enough in frame to read their faces.
Primary event: the boots of the person filming run past the lens. The man stands in the snow outside the car, next to the driver door, full body visible, both hands on his beanie, mouth open. He is never inside the car. The driver door pushes open through the snow and the woman climbs out, covered in snow from head to toe, unhurt, hands over her mouth in shock, staring at the buried car.
End state: the man still holds his head standing beside the car, she stands next to the snow-buried Defender, the bow dangles from the fir branch, powder still drifting down.
[Camera]
One continuous handheld phone shot from a friend’s point of view, no cuts at any moment (especially not between the hug and getting into the car), no time skips, no third-person or drone angles. The camera always stays on the same side of the car and never circles around it. The camera follows her in stages 1–3, holds still in stage 4, whips right in stage 5, falls in stage 6 and lies in the snow in stage 7.
[Audio]
Natural phone-microphone sound, crunching snow, quiet mountain wind.
Man (stage 1): “Three… two… one… open your eyes.”
Woman (stage 2): “Oh my god! What is it? No… wait, wait!”
Man (stage 3): “Happy birthday, babe!”
Woman (stage 3): “I love her! I love her so much!”
<Diesel engine revving hard> <Tyres crunching on snow> <Heavy thump against the tree> <Whoosh of snow avalanching off the branches> <Phone landing softly in snow> Then near silence, only snow trickling down.
No music.
[Maintain Consistency]
The woman keeps her face, red-copper braid, lime-green puffer and black trousers (covered in snow at the end). The man keeps his face and black jacket. The car stays a lime-green Defender at real size, driver side facing the camera. The car hits only the fir tree and only once. Nobody is injured. No captions, no on-screen text, no logos.